A detailed inquiry into the theory, practice, and history of the narrative form in the context of the modern medico-industrial complex. Through the humanities and humanities-based analysis, students will be afforded the opportunity to develop their own creative skills, but also be able to gain new avenues to better connect with their patients. After completing some required background readings, students will be permitted to explore any aspect of the issues raised and produce a basic research project.
Elective only.
This information has been collected for the Post-Discipline Online Syllabus Database. The database explores the use of literature by schools of professional education in North America. It forms part of a larger project titled Post-Discipline: Literature, Professionalism, and the Crisis of the Humanities, led by Dr Merve Emre with the assistance of Dr Hayley G. Toth. You can find more information about the project at https://postdiscipline.english.ox.ac.uk/. Data was collected and accurate in 2021/22.
History
Subject Area
Medicine
Geographic Region
East North Central
University or College
Western Michigan University
Funding Status
Public
Endowment (according to NACUBO's U.S. and Canadian Institutions Listed by Fiscal Year 2020 Endowment Market Value and Change* in Endowment Market Value from FY19 to FY20) ($1,000)
396926
Annual Tuition and Mandatory Fees 2021-2022 ($) (Resident; Non-resident, where applicable)
67000
Course Title
Narrative Medicine and the Physician-Storyteller
Terminal Degree of Instructor(s)
PhD Health Care Ethics
Position of Instructor(s)
Assistant Professor and Co-Chief of the Program in Medical Ethics, Humanities, and Law
Academic Year(s) Active
2021/22, 2022/23
Primary Works on Reading List
Anne Scheetz and Mary E. Fry, ‘The Stories’; Colleen T. Fogarty, ‘55-Word Stories: A Collection from the 32nd Forum for Behavioral Science in Family Medicine’; Barry Wendell, ‘Fidelity’ in Fidelity: Five Stories; Clifford Geertz, Deep Play: Notes on the Balinese Cockfight; Julia Michie Bruckner, ‘The Doorknob Complaint’; and T. S. Gibbs, ‘Metallic Air’.