As the late writer Joan Didion noted, "We tell ourselves stories in order to live." It's that simple: storying is fundamental to our humanity and our common life. No surprise, then, that healthcare is steeped in stories, those of ill and suffering persons (and their carers) enmeshed in life-altering experiences but also the narratives of physicians and other clinicians. Tales of illness, injury, dying, caring, and healing—whether spontaneously offered or carefully wrought—take many forms and serve many purposes within and beyond healthcare.
Even now, medicine and healthcare are changing to recognize the place and power of stories in its midst. Medicine is itself being changed as narrative knowledge complements and completes bioscientific understandings of illness, health, cure, and care and as health professionals learn to practice with "narrative competence." Research is ongoing into the promise and possibilities for narrative medicine to improve patient-clinician relationships, healthcare team interactions, quality of care and outcomes for patients, and health professionals' reflective practice.
Grounded in texts, tropes. and techniques of literature, this intensive two-week course explores medicine as a narrative-based enterprise and introduces narrative medicine as a set of principles and practices. We address especially
• core skills of close reading and close listening, observation, analysis, and interpretation (attention);
• communicative/expressive acts of discussion, telling, writing, and imaging (representation); and
• responsive modes of empathy, reflection, moral imagination, and action (affiliation).
Course participants practice using this narrative medicine toolkit so as to function as narratively competent clinicians. They engage with diverse texts of many literary genres and forms in highly interactive, discussion-based class sessions; complete writing and presentation assignments in and outside of class; and carry out reflective/creative work related to their own professional and personal experience.
This information has been collected for the Post-Discipline Online Syllabus Database. The database explores the use of literature by schools of professional education in North America. It forms part of a larger project titled Post-Discipline: Literature, Professionalism, and the Crisis of the Humanities, led by Dr Merve Emre with the assistance of Dr Hayley G. Toth. You can find more information about the project at https://postdiscipline.english.ox.ac.uk/. Data was collected and accurate in 2021/22.
History
Subject Area
Medicine
Geographic Region
South Atlantic
University or College
University of Virginia
Funding Status
Public
Endowment (according to NACUBO's U.S. and Canadian Institutions Listed by Fiscal Year 2020 Endowment Market Value and Change* in Endowment Market Value from FY19 to FY20) ($1,000)
7255701
Annual Tuition and Mandatory Fees 2021-2022 ($) (Resident; Non-resident, where applicable)
50004; 61114
Course Title
Literature and Medicine: A Narrative Medicine Toolkit
Wislawa Symborska, "Clothes"; Raymond Carver, "What the Doctor Said"; Marcia Lynch, "Peau d’Orange"; John Stone, "Talking to the Family"; Audrey Shafer, "Monday Morning"; Grace Herman, "The Clinic"; Cortney Davis, "The Dark Marks"; Lucia Perillo, "Shrike Tree"; John Stone, "He Makes a House Call" John Wright, "Walking the Dog"; John Stone, "In All This Rain"; Mark Doty, "New Dog"; Jaime R. Wood, "Quarantine Day 35"; Mikhail Bulgakov, “The Embroidered Towel”; Rafael Campo, “The Chart”; Gustave Flaubert, A Simple Heart; Alphonse Daudet, excerpt from In the Land of Pain; Virginia Woolf, “On Being Ill”; Hilary Mantel, “Diary” (in London Review of Books); Megan O’Rourke, “What’s Wrong with Me?” (in The New Yorker); Anatole Broyard, “The Patient Examines the Doctor” (in Intoxicated by My Illness); Nina Riggs, The Bright Hour: A Memoir of Living and Dying; Audre Lorde, The Cancer Journals; Anne Boyer, The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care; The Nocturnists, "Stories from a Pandemic"; Anton Chekhov, "Misery"; Jamila Wood, "Day 29 (2020)"; Jeffrey Millstein, "The Envelope"; David Hilfiker, "Facing Our Mistakes" (in New England Journal of Medicine); John Stone, "He Makes a House Cal"; Atul Gawande, "Education of a Knife" (in Complications); and Daniel Becker, "Swimming with John's Ghost".