Evidence ID
E05774Saint Name
Bartholomew, the Apostle : S00256Saint Name in Source
BartholomeusType of Evidence
Literary - Other narrative texts (including Histories)Evidence not before
830Evidence not after
846Activity not before
600Activity not after
650Place of Evidence - Region
Italy north of Rome with Corsica and SardiniaPlace of Evidence - City, village, etc
RavennaPlace of evidence - City name in other Language(s)
Ravenna
Sardinia
Sardinia
Sardegna
SardiniaMajor author/Major anonymous work
Agnellus of RavennaCult activities - Places
Cult building - monasticSource
Agnellus of Ravenna (ob. c. 846) was a deacon of the cathedral in Ravenna and – by hereditary right – abbot of two monasteries in Ravenna. He wrote his Liber Pontificalis Ecclessiae Ravennatis between 830 and 846, following the model of the Roman Liber Pontificalis. This work provides biographies of all the bishops of Ravenna from the legendary founder bishop Apollinaris to those active in Agnellus’ own day, and was originally composed to be delivered orally, most likely to clerics of Ravenna. This text is preserved in two manuscripts: one from the 15th c. (Bibliotec Estense Cod. Lat. 371 X.P.4.9.) and a fragmentary manuscript from the 16th c. (MS Vat. Lat. 5834). Agnellus bases his account of the lives of late antique bishops on documents preserved in Ravenna, stories which had been transmitted orally, and his own experience of the architectural landscape of 9th c. Ravenna.
Agnellus' work contains invaluable architectural and art historical information about Ravenna: Agnellus refers to several religious buildings in Ravenna and the neighbouring settlements of Caeserea and Classe. He describes their decoration and preserves several inscriptions, many of which are now lost to us. It must be remembered this is a 9th c. work. Agnellus’ descriptions of buildings and their fixtures is based on his 9th c. experience, and not late antique reality. Indeed, his accounts of the events of earlier years are often riddled with inaccuracies. Yet it is likely that his descriptions of the churches of Ravenna are more trustworthy. As Deborah Mauskopf Deliyannis argues, a comparison of surviving late antique mosaics with Agnellus’ account suggests that his descriptions were largely accurate. This is limited to what he does tell us – for example Arian foundations are often ignored whilst orthodox foundations are emphasised. Yet, overall, this text provides invaluable information about the cult of saints in late antique Ravenna.Discussion
This information is not corroborated by any other source. Yet, it is possible that it came to Agnellus from Maurus' epitaph or an earlier textual source.
A map showing the likely locations of the foundations in Classe and Ravenna is attached to this record.Bibliography
Text:
Deliyannis, Deborah Mauskopf, Agnelli Ravennatis Liber pontificalis ecclesiae Ravennatis (Corpus Christianorum Continuatio Mediaevalis 199; Turnhout, 2006).
Translation:
Deliyannis, Deborah Mauskopf, The Book of Pontiffs of the Church of Ravenna (Washington D.C., 2004).
Further Reading:
Deichmann, Friedrich Wilhelm, Ravenna, Hauptstadt des spätantiken Abendlandes, vol. 1-3, (Wiesbaden, 1958-89).
Deliyannis, Deborah Mauskopf, Ravenna in Late Antiquity (Cambridge, 2010).
Mackie, Gillian, Early Christian Chapels in the West: Decoration, Function and Patronage (Toronto, 2003).
Moffat, Ann, "Sixth Century Ravenna from the Perspective of Abbot Agnellus," in: P. Allen and E.M. Jeffreys (eds,), The Sixth Century – End or Beginning? (Brisbane, 1996), 236-246.
Morini, E., "Le strutture monastische a Ravenna," in: Storia di Ravenna, 2.2, Dall’età bizantia all’ età ottania, ed. A. Carile (Ravenna, 1992), 305-312.
Schoolman, Edward, Rediscovering Sainthood in Italy: Hagiography and the Late Antique Past in Medieval Ravenna (Basingstoke, 2016).
Stansterre, J. M., "Monaci e monastery greci a Ravenna," in: Storia di Ravenna, 2.1, Dall’età bizantia all’ età ottania, ed. A. Carile (Ravenna, 1992), 323-329.
Verhoeven, Mariëtte, The Early Christian Monuments of Ravenna: Transformations and Memory (Turnhout, 2011).
