E05757: Venantius Fortunatus writes a poem on the cathedral of Tours (north-west Gaul), rebuilt by Gregory (bishop of Tours 573-594) and dedicated in 590, where there are paintings of the miracles performed by *Martin (ascetic and bishop of Tours, ob. 397, S00050). Poem 10.6, written in Latin in Gaul, 590.
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posted on 2018-06-17, 00:00authored bykwojtalik
Venantius Fortunatus, Poems 10.6 (In nomine Domini nostri Iesu Christi versus ad ecclesiam Toronicam quae per Gregorium episcopum renovata est, 'In the name of our Lord Jesus Christ, verses for the cathedral at Tours which was rebuilt by bishop Gregory')
Summary:
The poem was composed to celebrate the rebuilding by Gregory of the cathedral of Tours, which had been ruined by fire (lines 13-24). In the first part of the poem the miracles of Martin are recounted: jewels were seen to cover his hands (lines 5-8); a ball of flame was seen to come from his head (lines 9-12); how he divided his cloak and gave half of it to a poor man (lines 25-30); how he cleansed the stains of a leper (lines 31-36); how he raised a dead catechumen (lines 37-42); how he prevented a pine tree from crushing him (lines 43-48); how he healed a man who had been bitten by a snake (lines 49-54); how he forced a dead robber, who had attracted veneration, to announce his crimes (lines 55-60); how he stopped a snake from approaching the bank of a river (lines 61-66); how a letter written by him cured a fever (lines 67-72).
The new church was constructed after the old one collapsed. It is embellished with broad windows likes eyes (patulis oculata fenestris) and paintings that present the deeds of Martin: Lucidius fabricam picturae pompa perornat, ductaque qua fucis vivere membra putes ('The splendour of painting brilliantly adorns its structure,and you would think the bodies alive that are depicted in colours').
Fortunatus then presents verses about each painting, probably to be painted beside them, with the following titles: 'He healed a leper' (Leprosum purgavit, lines 93-102); 'The divided cloak' (Chlamys divisa, lines 103-106); 'He made a present of a tunic' (Tunicam dedit, lines 107-116); 'He raised the dead' (Mortuos suscitavit, lines 117-120); 'The felled pine tree' (Pinus excisa, lines 121-124); 'Idols cast down' (Idola prostrata, lines 125-128); 'A false martyr' (Falsus martyr, lines 129-132).
Text: Leo 1881, 234-238. Summary: Katarzyna Wojtalik.
History
Evidence ID
E05757
Saint Name
Martin, ascetic and bishop of Tours, ob. 397 : S00050
Place of evidence - City name in other Language(s)
Tours
Tours
Toronica urbs
Prisciniacensim vicus
Pressigny
Turonorum civitas
Ceratensis vicus
Céré
Major author/Major anonymous work
Venantius Fortunatus
Cult activities - Places
Cult building - independent (church)
Cult activities - Non Liturgical Practices and Customs
Renovation and embellishment of cult buildings
Cult activities - Use of Images
Public display of an image
Cult Activities - Miracles
Miracle during lifetime
Other specified miracle
Miraculous sound, smell, light
Healing diseases and disabilities
Miracle with animals and plants
Power over objects
Revelation of hidden knowledge (past, present and future)
Power over life and death
Cult Activities - Protagonists in Cult and Narratives
Ecclesiastics - bishops
The socially marginal (beggars, prostitutes, thieves)
Pagans
Cult Activities - Relics
Handwriting of a saint
Source
Venantius Fortunatus was born in northern Italy, near Treviso, and educated at Ravenna. In the early 560s he crossed the Alps into Merovingian Gaul, where he spent the rest of his life, making his living primarily through writing Latin poetry for the aristocracy of northern Gaul, both secular and ecclesiastical. His first datable commission in Gaul is a poem to celebrate the wedding in 566 of the Austrasian royal couple, Sigibert and Brunhild. His principal patrons were Radegund and Agnes, the royal founder and the first abbess of the monastery of the Holy Cross at Poitiers, as well as Gregory, the historian and bishop of Tours, Leontius, bishop of Bordeaux, and Felix, bishop of Nantes, but he also wrote poems for several kings and for many other members of the aristocracy. In addition to occasional poems for his patrons, Fortunatus wrote a four-book epic poem about Martin of Tours, and several works of prose and verse hagiography. The latter part of his life was spent in Poitiers, and in the 590s he became bishop of the city; he is presumed to have died early in the 7th century. For Fortunatus' life, see Brennan 1985; George 1992, 18-34; Reydellet 1994-2004, vol. 1, vii-xxviii; PCBE 4, 'Fortunatus', 801-822.
The eleven books of Poems (Carmina) by Fortunatus were almost certainly collected and published at three different times: Books 1 to 7, which are dedicated to Gregory of Tours, in 576; Books 8 and 9 after 584, probably in 590/591; and Books 10-11 only after their author's death. A further group of poems, outside the structure of the books, and known from only one manuscript, has been published in modern editions as an Appendix to the eleven books. For further discussion, see Reydellet 1994-2004, vol. 1, lxviii-lxxi; George 1992, 208-211.
Almost all of Fortunatus' poems are in elegiac couplets: one hexameter line followed by one pentameter line.
For the cult of saints, Fortunatus' poems are primarily interesting for the evidence they provide of the saints venerated in northern Gaul, since many were written to celebrate the completion of new churches and oratories, and some to celebrate collections of relics. For an overview of his treatment of the cult of saints, see Roberts 2009, 165-243.
Discussion
This poem was composed on the occasion of the rebuilding of the cathedral of Tours by Gregory, its bishop between 573 and 594. (For the destruction of the previous cathedral, see E02066, E02418.) The rebuilding was completed in 590, so the poem was probably written that year. Pietri suggests that the poem should be divided into two parts – lines 1-78 and 79-132 – and that these were alternative versions sent to Gregory (Pietri 1983, 827-830).
Sulpicius Severus is the source for the miracles of Martin that are alluded to here:
– jewels that covered his hands and a ball of fire that was seen to come from his head – Dialogues 2.4.4-9, 3.10.6 and 2.2.1-2;
– division of his cloak – Life of Martin 3.1-4;
– a leper – Life of Martin 18.3-4;
– raising a dead man – Dialogues 2.4.4-9 and Life of Martin 8;
– the falling pine tree – Life of Martin 13;
– healing a man bitten by a snake – Dialogues 2.2.4-7;
– a dead robber announcing his crimes – Life of Martin 11 (see E00100);
– preventing a snake reaching the bank – Dialogues 3.9.4;
– healing with a letter – Life of Martin 19.1.
For the Dialogues, see E00845, and for The Life of Martin, see E00692. For the details of the cathedral in Tours, see Pietri 1987, 28-29 and Vieillard-Troiekouroff 1976, 304-306.
Bibliography
Editions and translations:
Leo, F., Venanti Honori Clementiani Fortunati presbyteri Italici opera poetica (Monumenta Germaniae Historica, Auctores Antiquissimi 4.1; Berlin: Apud Weidmannos, 1881).
Roberts, M., Poems: Venantius Fortunatus (Dumbarton Oaks Medieval Library 46; Cambridge, MA: Harvard University Press, 2017).
George, J., Venantius Fortunatus, Personal and Political Poems (Translated Texts for Historians 23; Liverpool: Liverpool University Press, 1995).
Reydellet, M., Venance Fortunat, Poèmes, 3 vols. (Paris: Les Belles Lettres, 1994-2004).
Further reading:
Brennan, B., "The Career of Venantius Fortunatus," Traditio 41 (1985), 49-78.
George, J., Venantius Fortunatus: A Latin Poet in Merovingian Gaul (Oxford: Oxford University Press, 1992).
Pietri, L., La ville de Tours du IVe au VIe siècle. Naissance d'une cité chrétienne (Rome: École Française de Rome, 1983).
Pietri, L., "Tours," in: N. Gauthier and J.-Ch. Picard (eds.), Topographie chrétienne des cités de la Gaule des origines au milieu du VIIIe siècle, vol. 5: Province ecclésiastique de Tours (Lugdunensis Tertia) (Paris, 1987), 19-39.
Roberts, M., The Humblest Sparrow: The Poetry of Venantius Fortunatus (Ann Arbor: University of Michigan Press, 2009).
Vieillard-Troiekouroff, M., Les monuments religieux de la Gaule d'après les œuvres de Grégoire de Tours (Paris, 1976).