E02867: The Martyrdom of *Ansanus and Maxima (martyrs respectively of Siena and Rome, S01345) is written in Latin, presumably in Siena (Italy), perhaps in the 7th or 8th c.. It narrates Ansanus’ youth and baptism in Rome, his godmother Maxima’s martyrdom in Rome, Ansanus’ martyrdom in Siena, and his burial nearby, next to the river Arbia.
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posted on 2017-05-31, 00:00authored bympignot
Martyrdom of Ansanus and Maxima (BHL 515)
§ 1: Prologue: the author promises to narrate a few of the martyr Ansanus’ miracles.
§ 2: Diocletian reigning for the 7th time [Diocletian for the 8th and Maximian for the 7th], a certain Tranquillinus of noble birth has a son, Ansanus, who serves God from adolescence (adulescentia). Born in Rome, during his education he always wants to please only Jesus Christ; at the age of twelve he flees to a church, looking for a priest (sacerdos) to baptise him. A certain priest (sacerdos) named Protasius is advised at night in his sleep by an angel of the Lord bearing in his hand a crown shining as snow. The angel touches him and tells him to get up and go to the sacristy of the church (secretarium ecclesiae) and purify the boy. Protasius wakes up and quickly goes to the sacristy, as he arrives at the door the light of God precedes him and there is a smell of precious perfume over the font. Protasius baptises Ansanus. Maxima, a Christian from the territorium Anacritanum [territorium Olymphynatum], is his mother in baptism. They becomes one mind and one soul in the fight for the Lord. The martyr of Christ Ansanus comes back to his father’s house, serving Jesus Christ without his parents knowing.
§ 3: In the 13th year of Diocletian’s reign there is a persecution against Christians everywhere. Ansanus has been hiding his conversion for seven years, he is now nineteen. As he hears about the persecution, he prays to God for protection. He then decides to go to the emperors and tell them that he is a Christian and that he is ready to die for it.
§ 4: He goes to Maxima’s house telling her that the time of martyrdom has come, he exhorts her to abandon the demons and adore Jesus Christ. She agrees, they go together to the emperors. On their way they see a blind man and heal him. Some see this and go to the emperors to denounce them.
§ 5: The emperors summon them and interrogate them. They learn that they are Christian, freeborn, reject sacrificing to the gods, and trust in Jesus Christ for whom they are ready to suffer. They particularly reject Jupiter: he was not the creator of all things but God was. Men were deceived by the Devil and started adoring idols, as told by the prophet in Ps. 61:10 and by Solomon in Wisdom 1:4. As the emperors ask them again to sacrifice, the martyrs refuse, stating their belief in Jesus Christ and their readiness to suffer.
§ 6: The emperors order them to be sent to prison. There, after a prayer the Lord, there is a pleasant smell and a voice tells them to rejoice and promises them great rewards. They kneel and thank God; ending their prayer, they chant Ps. 54:2-4. They fall asleep, and an angel appears to them and comforts them.
§ 7: They are summoned by the emperors the following morning, but still reject worshipping idols. The emperors send Ansanus back to prison and try to convince Maxima to sacrifice, but she keeps her faith, recalling David rejecting idols in Ps. 113:12-16. The emperors order her to be put on a rack and beaten; she dies.
§ 8: Ansanus escapes from prison and travels through the cimineas alpes and reaches the city of Bagnorea (balneum regense). There the Lord appears to him and tells him that he will be a column in His temple, holding the door of eternal life: anyone who imitates him will be offered to the Father through his hands. Ansanus rejoices and thanks Jesus Christ. Two months later, he comes to Siena (oppidum Senense) and performs many miracles. The emperors hear about it and ask the proconsul Lisias to prepare idols of Hercules, Jupiter and Saturn in Siena and ask Ansanus to adore them; if he refuses he should be killed. The proconsul summons Ansanus and asks him to sacrifice to the gods. Ansanus rejects the gods; the governor (praeses) threatens to kill him.
§ 9: The governor orders a great fire to be prepared, and wax, lead, resin and oil to be put into it. As Ansanus enters the fire, it is completely extinguished. The governor orders him to be beheaded. He is brought next to the river Arbia, where he is beheaded the day of the Calends of December [= 1 December], under the emperors Diocletian and Maximian, and the proconsul Lisias. [It was the year 296 from the nativity of the Lord, and now nine years have passed since Ansanus was martyred in Siena.] He is buried next to the river, and there, many favours are bestowed up to this day.
Text: Catalogus codicum hagiographicorum latinorum bibliothecae regiae Bruxellensis, vol. I.1 (Brussels, 1886), 129-132 with variants in square brackets from the text published in Mansi 1764, 61-64. Summary: M. Pignot.
History
Evidence ID
E02867
Saint Name
Ansanus and Maxima, martyrs respectively of Siena and Rome : S01345
Place of evidence - City name in other Language(s)
Siena
Sardinia
Sardinia
Sardegna
Sardinia
Cult activities - Liturgical Activity
Chant and religious singing
Cult activities - Festivals
Saint’s feast
Cult activities - Places
Burial site of a saint - unspecified
Cult activities - Non Liturgical Practices and Customs
Prayer/supplication/invocation
Cult Activities - Miracles
Miracle during lifetime
Miracle at martyrdom and death
Miracles experienced by the saint
Healing diseases and disabilities
Apparition, vision, dream, revelation
Miraculous sound, smell, light
Unspecified miracle
Cult Activities - Protagonists in Cult and Narratives
Ecclesiastics - lesser clergy
Women
Unbaptized Christians
Relatives of the saint
Monarchs and their family
Officials
Angels
Cult Activities - Relics
Bodily relic - entire body
Source
Epic martyrdoms
The Martyrdom of Ansanus and Maxima is an anonymous literary account of martyrdom written long after the great persecutions of Christians that provide the background of the narrative. It is part of a widely spread literary genre, that scholars often designate as "epic" Martyrdoms (or Passiones), to be distinguished from earlier, short and more plausible accounts, apparently based on the genuine transcripts of the judicial proceedings against the martyrs.
These texts narrate the martyrdom of local saints, either to promote a new cult or to give further impulse to existing devotion. They follow widespread stereotypes mirroring the early authentic trials of martyrs, but with a much greater degree of detail and in a novelistic style. Thus they narrate how the protagonists are repeatedly questioned and tortured under the order of officials or monarchs, because they refuse to sacrifice to pagan gods but profess the Christian faith. They frequently refer to miracles performed by the martyrs and recreate dialogues between the protagonists. The narrative generally ends with the death of the martyrs (often by beheading) and their burial. These texts are literary creations bearing a degree of freedom in the narration of supposedly historical events, often displaying clear signs of anachronism. For these reasons, they have been generally dismissed as historical evidence and often remain little known. However, since most certainly date from within the period circa 400-800, often providing unique references to cult, they are an essential source to shed light on the rise of the cult of saints.
The Martyrdom of Ansanus and Maxima
There are two versions of the Martyrdom, BHL 515 and BHL 516. It seems that BHL 515 is the earliest, while BHL 516 is a medieval reworking, perhaps dating from the 12th century, according to Scorza Barcellona 1990. BHL 517, also medieval, narrates the translation of Ansanus’ body and related miracles. BHL 515 is found in 5 manuscripts according to the database Bibliotheca Hagiographica Latina Manuscripta at bhlms.fltr.ucl.ac.be, the earliest from the 12th century.
Discussion
The Martyrdom provides evidence for cult of the martyr Ansanus in Siena, although it says that he was of Roman origin. His companion, Maxima, is said to be from the enigmatic territorium Anacritanum, with the text published by Mansi bearing the equally puzzling territorium Olymphynatum. She is implicitly said to die in Rome, but the hagiographer takes no interest in her place of burial or feast day. The Martyrdom rather focuses on Ansanus and his travels following her death: Ansanus goes north of Rome across the Apennines, passing through the town of Bagnorea before arriving in Siena. The Martyrdom offers evidence for Ansanus’ burial site near the river Arbia, and the feast day of 1 December. Despite the lack of other early evidence about Ansanus, 8th and 9th century documents confirm the existence of an ecclesia /monasterium dedicated to him, which was disputed in the 7th and 8th century between the dioceses of Arezzo and Siena, before the matter was settled in the favour of Arezzo (see for evidence: Lanzoni; Scorza Barcellona).
The Martyrdom of Ansanus, like most late antique and early medieval martyrdom accounts, is difficult to date. Ansanus is not found in the Martyrologium Hieronymianum nor in historical martyrologies, and there seem to be no other source mentioning the story of his martyrdom. Dufourcq proposed to date the Martyrdom to the 7th century on the ground of similarities with other martyrdom accounts which he dated to the 7th century; this however is a particularly weak argument, since most of the parallels evoked by Dufourcq are very common stereotypes found in such accounts, and most of them are anyway of uncertain date. Dufourcq also noted that the bishopric of Siena was probably restored in the mid 7th century, further providing a potential context for the writing of the text.
More recently, Scorza Barcellona, and subsequently Lanéry, have argued that the composition of the Martyrdom should be related to the context of the dispute over control of the ecclesia / monasterium of Ansanus between Arezzo and Siena in the 7th and 8th centuries. It has to be noted that the Martyrdom makes no reference to the dispute, but in the narrative it only mentions Siena.
Bibliography
Edition (BL 515):
Mansi, J. D., Stephani Baluzii tutelensis miscellanea novo ordine digesta et non paucis ineditis monumentis opportunisque animadversionibus aucta, Tome IV (Lucca, 1764), 61-64.
Catalogus codicum hagiographicorum latinorum bibliothecae regiae Bruxellensis, vol. I.1 (Brussels, 1886), 129-132.
Further reading:
Consolino, F. E., “Un martire ‘romano’: Crescenzio,” in: Consolino, F. E., (ed.), I santi patroni senesi fra agiografia e iconografia (Siena, 1990), 34-48.
Dufourcq, A., Étude sur les Gesta martyrum romains, vol. 3 (Paris, 1907), 215-219.
Lanéry, C., "Hagiographie d'Italie (300-550). I. Les Passions latines composées en Italie,” in: Philippart, G. (ed.), Hagiographies. Histoire internationale de la littérature hagiographique latine et vernaculaire en Occident des origines à 1550, vol. V (Turnhout, 2010), 15-369, at 306-307.
Lanzoni, F., Le diocesi d’Italia dalle origini al principio del secolo vii (Faenza, 1927), 564-565.
Nardi, P., “Alle origini del culto dei Senesi per s. Ansano e la Madonna Assunta," in: Bartolomei Romagnoli, A., Paoli, U., and Piatti, P. (eds.), Hagiologica. Studi per Réginald Grégoire (Fabriano, 2012), 1109-1122.
Scorza Barcellona, F., “Un martire locale: Ansano,” in: Consoli, F. E. (ed.), I santi patroni senesi fra agiografia e iconografia (Siena, 1990), 10-33.
Scorza Barcellona, F., “Vescovi e martiri alle origini della Chiesa di Siena,” in: Mirizio, A., and Nardi, P. (eds.), Chiesa e vita religiosa a Siena. Dalle origini al grande giubileo. Atti del Convegno di studi. Siena, 25-27 ottobre 2000 (Siena, 2002), 37-48.