E01685: Greek dedicatory inscriptions to *Sergios (soldier and martyr of Rusafa, S00023), and busts of: *Mary (Mother of Christ, S00033), and the Apostles *Peter (S00036), and *Paul (S00008), engraved on the paten and a chalice from the silver treasure of the Cleveland Museum of Art (Ohio). Provenance: a village of 'Beth Misôna' in Syria. Probably 6th c.
Cult Activities - Protagonists in Cult and Narratives
Ecclesiastics - lesser clergy
Children
Other lay individuals/ people
Cult Activities - Cult Related Objects
Ex-votos
Chalices, censers and other liturgical vessels
Precious material objects
Source
The silver treasure of the Cleveland Museum of Art (Ohio) was acquired in 1950 from the Mallon family. It consists of three liturgical chalices (H. 0.24 m; diameter 0.14 m; weight 305-332 g) and a paten (diameter 0.325 m; weight 542 g), all of Syriac origin.
The chalices are decorated with four busts of holy figures, within medallions: Jesus, shown with a nimbus and long hair, blessing with one hand and holding a book in the other; a female figure with a nimbus, dressed in royal garments, probably Mary or the personification of the Church; Peter the Apostle, bearded, with nimbus and a cross-like sceptre; and Paul the Apostle, bearded, with nimbus.
The paten and Chalice A are inscribed with dedicatory formulas.
The objects were first examined by Louis Bréhier in 1951, with the aid of Paul Lemerle. Further remarks were published by Glanville Downey in 1953. Republished by Marila Mundell Mango in 1986.
Discussion
The two inscribed items were probably offered to a church dedicated to Sergios by a father and son, perhaps pilgrims. It is not clear, whether other objects were also offered by the two, and whether the offerings were made at the same time. Though the decorations on the chalices follow the same iconographical programme, the details of the depictions of the holy figures slightly differ, which might suggest that they were manufactured on different occasions.
The first editor, Louis Bréhier, did not properly identify the original place of deposition of the vessels. He supposed that they were an offering to the famous sanctuary of Sergios in Rusafa (northeast Syria/Euphratesia) before it became a bishopric in c. 434 (as no bishops are mentioned in the inscriptions). However, Glanville Downey reasonably pointed out that there were also many local churches dedicated to Sergios in the Near East, and that the name of a village is almost certainly mentioned at the end of the inscription on the paten, which Bréhier was unable to understand. The toponym reads χω(ρίον) Β[ε]νμισωνα / 'the village of Ben Misona or Beth Misôna', which might be a place, attested by 13th Latin documents in the territory of Sidon. Maria Mundell Mango identifies the village as Mşībīn, between Beroia/Aleppo and Seleukeia/Seleucia ad Bellum (north Syria).
Dating: based on the style of garments of the depicted figures and the form of letters, Bréhier implausibly dated the objects to the 4th c. Glanville Downey notes that the form of letters, and the religious context (a dedication to Sergios), point rather to the 6th-7th c.
Bibliography
Edition:
Mundell Mango, M., Silver from early Byzantium. The Kaper Koraon and Related Treasures (Baltimore: Walters Art Gallery, 1986), 228-231, nos. 57-60.
Bréhier, L., “Un trésor d'argenterie ancienne au Musée de Cleveland”, Syria 28 (1951), 256-264.
Further reading:
Downey, G., “The dating of the Syrian liturgical silver treasure in the Cleveland Museum”, The Art Bulletin 35 (1953), 143-145.
Kalinowski, A., Frühchristliche Reliquiare im Kontext von Kultstrategien, Heilserwartung und sozialer Selbstdarstellu (Spätantike – Frühes Christentum Byzanz 32, Wiesbaden: Reichert Verlag, 2011), 122.
Mundell Mango, M., "Beth Misona Treasure", [in:] A.P. Kazhdan (ed.), The Oxford Dictionary of Byzantium, vol. 1 (New York, Oxford: Oxford University Press: 1991).
Reference works:
Bulletin épigraphique (1954), 241.
Supplementum Epigraphicum Graecum 15, 852; 37, 1408.