E01279: Greek inscriptions from the chancel screen from the cathedral church Katapoliani/Ekatontapyliani on the island of Paros (Aegean Islands) suggest that this important sanctuary was originally dedicated to *Mary (Mother of Christ, S00033), as the God-Bearer. Probably mid-6th c.
The late antique inscriptions from the church were reprinted by Georges Kiourtzian in his catalogue of Christian inscription from the Aegean Islands. Among them we have five dedications by an otherwise unknown bishop Hylasios (all in the same form: Ὑλασίου ἐπισκόπου/'Of bishop Hylasios', see: Kiourtzian 2000, nos. 51-55). They are written as monograms on the arcades and capitals in the nave and transept of the church of Panagia (the central section of the cathedral). Hylasios was also probably the author of an invocation of God as the Lord, carved at the entrance to the small chapel of the Holy Unmercenaries (Kiourtzian 2000, no. 56), and of a fragmentary dedicatory inscription (Kiourtzian 2000, no. 57).
For us the most interesting are, however, two invocations of Mary as the God-Bearer, authored by bishop Georgios and the presbyters, Georgios and Konstantinos, carved on two plaques.
A marble plaque from the chancel screen separating the nave from the sanctuary.
The plaque is decorated with two lozenges, carved one within the other, a cross in low-relief, and floral motifs. Inscription A is written on the upper edge of the plaque. H. 0.05 m; W. 0.09 m; letter height 0.03-0.04 m.
Inscriptions B/a-d are written as monograms in medallions, sited in free space among ornaments. Diameter of the medallions: 0.16 m; letter height 0.03-0.05 m.
A: '+ Lord, save the emperor and hear us! +' B: 'O God-Bearer, help bishop Georgios!'
Bishop Georgios is otherwise unknown, but Kiourtzian supposes that he could have held his office soon after bishop Hylasios. He could have offered the chancel screen as an ex-voto and completed the decorations of the church.
Based on the archaeological context of the church, one can suppose that the emperor mentioned in the invocation might be Justinian I or one of his successors. Kiourtzian points out that the letter forms are also characteristic of the 6th or later centuries.
A marble plaque from the chancel screen separating the nave from the sanctuary, closely resembling Plaque 1.
The inscription is written as four monograms within four medallions, c. 0.185 m in diameter; letter height 0.05-0.06 m.
a) Θεοτόκε βοήθη b) Κων(σ)τ(α)ντίνου c) Γεωργίου d) πρεσβυτέρων
a. Κτήτορος Aliprantis Ulbert Lambakis || d. πάντων τῶν εὐσεβῶν Lambakis Aliprantis, π(ρ)εσβυτέ(ρ)ων Hasluck, πρεσβυτέρου Ulbert
'O God-Bearer, help Konstantinos and Georgios, the presbyters!'
The interpretation of these monograms is less certain than in the case of Plaque 1. Aliprantis, Ulbert, and Lambakis preferred to read the word Κτήτορος / 'of the founder' in medallion a, and Lambakis and Aliprantis supposed that medallion d contains an invocation of behalf of 'all the pious ones': πάντων τῶν εὐσεβῶν. The above text follows the edition by Kiourtzian.
Kiourtzian supposes that this invocation is contemporary to the one by bishop Georgios due to the identical decorations on the plaques. It is probable that the mentioned presbyter contributed to the construction of the chancel screen.
Based on these invocations we can suppose that the 6th c. church was dedicated to Mary as the God-Bearer (Θεοτόκος), which is probably mirrored also by the present dedication to Panagia of the central section of the church.
For other inscriptions from the church, not referring to saints, see: Kiourtzian 2000, nos. 60-69.
It is supposed that Paroika (ancient Paros)'s 6th c. cathedral church, which was restored after an earthquake in 1733, was constructed over the foundations of an earlier Christian basilica, superseding a pagan building with a mosaic, probably a gymnasium or a villa (and not a sanctuary of Demeter, as was supposed by Rubensohn in "Paros", Realencyclopädie der classischen Altertumswissenschaft, coll. 1832-1834).
The church attracted the attention of scholars and antiquarians already in the 19th c., and now is considered one of the oldest and most important shrines in Greece. In 1920 Harry Herbert Jewell and Frederick William Hasluck published a monograph on the site, under the auspices of the Byzantine Research Fund and the British School at Athens. Jewell visited the church for the first time in 1910 as "a travelling student of the Royal Academy of Arts". Inscriptions from the church, mentioned in the book, were mostly studied by Hasluck with the assistance of Henry Arderne Ormerod. Between 1959 and 1966 the church was excavated and restored to its ancient shape under the supervision of Anastasios Orlandos. In 1985 it was surveyed by architects from the Technische Universität München: G. Gruben, A. Ohnesorg, and I. Ring (the results were summarised by Gilles Touchais in Bulletin de correspondance hellénique in 1986).
The core of the sanctuary comprises three sections: the centrally sited church of Panagia (built over the foundations of the basilica with the mosaic), a baptistery, and the so-called 'chapel' in the north-eastern part of the cathedral, presently dedicated to St Nicholas, but formerly perhaps to Mary, Mother of Christ or, specifically, to the Dormition of Mary. The chapel is 19 m long and 15 m wide. Two rows of columns divide it in three naves. Its ground floor is a regular basilica, but the gallery is on the plan of a basilica with a transept and a dome.
Anastasios Orlandos believed that the church of Panagia was originally constructed in the late 4th or early 5th c. as a basilica with a wooden roof, and was refurbished as a vaulted basilica with a dome in the 6th c., and that the baptistery and the chapel were of an early, probably 4th c. date. Based on a local legend the chapel of Nicholas, is sometimes believed to have been constructed under the emperor Constantine, between 313 and 326. The legend, says that Helen, mother of the emperor, visited Paros on her way to Jerusalem, where she was going to look for the relics of the Holy Cross. On Paros she prayed for the success of her undertaking in a small church dedicated to the Dormition of Mary (allegedly our chapel), and promised to build there a larger sanctuary – supposedly the early 4th c. basilica with the mosaic found by Orlandos below the central nave of the church of Panagia. The legend is, of course, fictional, and so such a precise dating must be dismissed.
The surveyors from the Technische Universität München questioned most of Orlandos' conclusions. They claimed that the chapel of Nicholas was actually contemporary to the central church of Panagia (i.e. 6th c.), and that the basilica with the mosaic below the church of Panagia was not of 4th c. date, but was built in the Theodosian period (395-450), as many reused elements were employed for its construction. They also proved that the church of Panagia was not completed in two phases (4th/5th and 6th c.), but was a homogenous 6th c. foundation (stylistically dated to c. 565). They also redated the atrium, considered as 4th c. by Orlandos, to the moment of the construction of the narthex of the church of Panagia.
Note for those who are interested in the church's modern names: It has been called Katapoliani (literally: 'the Lower Town church') since at least the 17th c. The name probably comes from κατάπολα, a demotic amalgam of two words: κάτω/'below' and πόλις/'city', and may derive from the location of the sanctuary, below the town, next to the port; or it comes from the demotic term καταπόλια deriving from the phrase κατὰ τὴν πόλιν/'to the city'. Another modern name of the sanctuary, Ekatontapyliani ('the Church of 100 Doors'), might be the result of the classicization of this demotic expression (cf. a short description of this etymology in Talbot 1996, 97, note 7).
Bibliography
For the inscriptions, see:
Plaque 1:
Kiourtzian, G., Recueil des inscriptions grecques chrétiennes des Cyclades, de la fin du IIIe au VIIIe siècle après J.-C., (Travaux et mémoires du Centre de recherche d'histoire et civilisation de Byzance. Monographies 12, Paris: De Boccard, 2000), no. 58.
Aliprantis, Th., Ἡ Ἑκατονταπυλιανὴ της Πάρου (Thessalonike: Ekdose demou Parou, 1993), 63.
Ulbert, Th., Studien zur dekorativen Reliefplastik des östlichen Mittelmeerraumes (Miscellanea Byzantina Monacensia 10, Munich: Institut für Byzantinistik und neugriechische Philologie der Universität , 1969), no. 194.
Hasluck, "Lady of the Hundred Gates", [in:] Jewell, H.H., Hasluck, F.W., The Church of our Lady of the Hundred Gates (Panagia Hekatontapyliani) in Paros (London: Macmillan and Co., 1920), nos. 5-6.
Lambakis, G., "Έκθεσις του Διευθυντού του Χριστιανικού Αρχαιολογικού Μουσείου Γ. Λαμπάκη περί των κατά το έτος 1891 πεπραγμένων", Δελτίον Χριστιανικής Αρχαιολογικής Εταιρείας 1 (1891), 104.
Plaque 2:
Kiourtzian, G., Recueil des inscriptions grecques chrétiennes des Cyclades, de la fin du IIIe au VIIIe siècle après J.-C., (Travaux et mémoires du Centre de recherche d'histoire et civilisation de Byzance. Monographies 12, Paris: De Boccard, 2000), no. 59.
Aliprantis, Th., Ἡ Ἑκατονταπυλιανὴ της Πάρου (Thessalonike: Ekdose demou Parou, 1993), 63.
Ulbert, Th., Studien zur dekorativen Reliefplastik des östlichen Mittelmeerraumes (Miscellanea Byzantina Monacensia 10, Munich: Institut für Byzantinistik und neugriechische Philologie der Universität , 1969), no. 195.
Hasluck, "Lady of the Hundred Gates", [in:] Jewell, H.H., Hasluck, F.W., The Church of our Lady of the Hundred Gates (Panagia Hekatontapyliani) in Paros (London: Macmillan and Co., 1920), no. 7.
Lambakis, G., "Έκθεσις του Διευθυντού του Χριστιανικού Αρχαιολογικού Μουσείου Γ. Λαμπάκη περί των κατά το έτος 1891 πεπραγμένων", Δελτίον Χριστιανικής Αρχαιολογικής Εταιρείας 1 (1891), 105.
Further reading:
Kiourtzian, G., "Pietas insulariorum", [in:] Eupsychia: mélanges offerts à Hélène Ahrweiler, vol. 2 (Série Byzantina Sorbonensia 16, Paris: Publications de la Sorbonne, 1998), 366, 373.
For descriptions of the church, see:
Aliprantis, Th., Ἡ Ἑκατονταπυλιανὴ της Πάρου (Thessalonike: Ekdose demou Parou, 1993).
Daux, G., "Chronique des fouilles et découvertes archéologiques en Grèce en 1962", Bulletin de correspondance hellénique 87 (1963), 824.
Daux, G., "Chronique des fouilles et découvertes archéologiques en Grèce en 1963", Bulletin de correspondance hellénique 88 (1964), 804-819.
Daux, G., "Chronique des fouilles et découvertes archéologiques en Grèce en 1964", Bulletin de correspondance hellénique 89 (1965), 866-869.
Jewell, H.H., Hasluck, F.W., The Church of our Lady of the Hundred Gates (Panagia Hekatontapyliani) in Paros (London: Macmillan and Co., 1920).
Kampanes, A.N., Περιληπτική ιστορική επισκόπησις της νήσου Πάρου (Syra: Syndesmos "Hekatontapyliane", 1908).
Naupliotis, K.G., Ἑκατονταπυλιανῆς τῆς Πάρου τὰ σῳζόμενα (Athens: , 1912).
Orlandos, A.K., "La forme primitive de la cathédrale paléochrétienne de Paros", [in:] Atti del VI Congresso internazionale di archeologia cristiana, Ravenne 1962, (Rome: Pontificio Istituto di Archeologia Cristiana, 1965), 165-168.
Talbot, A.M., Holy Women of Byzantium. Ten Saints' Lives in English Translation (Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1996), 97, note 7.
Tarsoule, A., Ἡ Καταπολιανή της Πάρου. Ἱστορία καὶ θρύλος (Athens: Typ. Andr. I. Vartsou, 1944).
Touchais, G., "Chronique des fouilles en 1985", Bulletin de correspondance hellénique 110 (1986), 737.
Reference works:
Supplementum Epigraphicum Graecum 50, 775.